Amy Yeminne Kim





I am an artist working in photography and installation.
I use photography’s illusionistic qualities to encourage dialogue whether it be digging up what was meant to be buried or examining the image boundaries between the fake and the real.

Before my long stay as a Texas resident, I grew up in South Korea during the height of the violent democratic protests. Because of this experience, I currently examine today’s geopolitics through the lens of the oil extraction craze in West Texas. My work is informed by early thinkers of photography such as Walter Benjamin and Frederick Douglass who grappled with the promises and failures of the photographic medium. It is also informed by my background staying in sites of high tension such as  post-war Korea or the boom or bust economy of the Texas oil fields. I am the winner of 2025 PH Museum Grant (3rd place). Author and artist of “Basin Recipe Cards,” published in Nourish and Resist by Yale Univ. Press. I hold a B.A. from Hankuk Univ. of Foreign Studies in South Korea, an MFA in Arts Administration from Texas Tech University Theatre and Dance, and a second MFA from Texas Tech University School of Art.  I currently serve as Assistant Professor of Photography at Hope College in Holland Michigan.

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Photo Expo



Photo Expo (2019) renders visible the ideas I present in the Fake News chapter. An on-going web- and installation-based project, the work borrows aesthetics from commercial expositions. Here, photos are less documentative and more bodily. I present Photo Expo in a manner accessible for all with installations meant to be interactive, experiential, and entertaining. Viewers, for instance, can walk on the images, eat the images printed on an Expo Cake, or see themselves in the video and projection live feed. Photo Expo asks us to experience photography. The exhibition was conceived as my MFA thesis exhibition in 2018 funded by two competitive fellowships totaling $5,000. It has since been exhibited at the Nancy Fyfe Cardozier gallery at UT Permian Basin  











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