Amy Yeminne Kim





I am an artist working in photography and installation.
I use photography’s illusionistic qualities to encourage dialogue whether it be digging up what was meant to be buried or examining the image boundaries between the fake and the real.

Before my long stay as a Texas resident, I grew up in South Korea during the height of the violent democratic protests. Because of this experience, I currently examine today’s geopolitics through the lens of the oil extraction craze in West Texas. My work is informed by early thinkers of photography such as Walter Benjamin and Frederick Douglass who grappled with the promises and failures of the photographic medium. It is also informed by my background staying in sites of high tension such as  post-war Korea or the boom or bust economy of the Texas oil fields. I am the winner of 2025 PH Museum Grant (3rd place). Author and artist of “Basin Recipe Cards,” published in Nourish and Resist by Yale Univ. Press. I hold a B.A. from Hankuk Univ. of Foreign Studies in South Korea, an MFA in Arts Administration from Texas Tech University Theatre and Dance, and a second MFA from Texas Tech University School of Art.  I currently serve as Assistant Professor of Photography at Hope College in Holland Michigan.

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No Windows




This project was made partly in response to Susan Sontag’s essay Against Interpretation and my questions about meaning in an art piece. I was becoming more interested in how we perceive than the hermeneutics in a formal analysis. This inquiry into perception developed into a broader survey into how we experience the photographic medium.  No Windows (2017) resulted from this line of questioning. The images were taken in my studio in Slaton, TX  as I shot nine hundred images quickly and intuitively.












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